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Using the Cabbone

Overview

Adding a Cabbone to your rig is really very simple, however it is important to follow certain precautions as outlined below and in the user manual.

The Cabbone sits between your amplifier and two speaker cabinets as depicted here. The amp input can come from a guitar or effects chain as usual, but the amp speaker output now goes to the Cabbone, which can be toggled between connected cabinets. The use of high-grade speaker cables is important. We recommend the Radial #R800 7082 01 speaker cable kit consisting of three 6-foot 12-gauge cables.

The versatility that Slingshot™ remote switching brings to your setup is also outlined below – you will find Slingshot to be an indispensible ally in getting at all the great tones your Cabbone has to offer.

WARNING - Possibility of electrical shock hazard exists. Please read the warnings in the user manual before attempting to connect amplifiers to this device.




 

Basic setups:
The Cabbone speaker cabinet switcher is laid out simply and logically. In the most basic setup, the head connects to the Cabbone and the Cabbone connects to the two speaker cabinets. Assuming your amplifier is set to 8-Ohms and your two speaker cabinets are also 8-ohms, the set up is straight forward – once connected, all you do is hit the footswitch and you can now to toggle from one speaker to the other.

  Basic Cabbone setup with two 8-Ohm cabinets.


In setups where you have different speaker impedance values or different loads, using the Cabbone makes it easy with a second 'amp-to-Cabbone' connection. For example, the 4-Ohm output is directed to the 4-Ohm speaker while the 8-Ohm output would go to the 8-Ohm speaker.

In situations where you do not have different outputs for different speaker loads, you will have to make some choices. Different loads may yield different output levels or tonal variances based on the type of amplifier you are using. It is a good idea to familiarize yourself with your options so that you can get the most out of your equipment. Complete details are explained in ‘understanding speaker loads’ below.

As a rule of thumb, lowering the load on a transistor amp will yield a higher output. On tube amps, lowering the impedance increases the workload on the tubes, which often makes the amp sound fatter but does so, alas, at the expense of reducing the tube's lifespan. Make sure you consult your amplifier manufacturer’s specifications and minimum load settings to avoid damage to your amp.





Using Cabbone's ALT-Z output
Important: See 'understanding speaker loads' below for more information on proper load matching, should your speaker cabinets be different impedances. Consult your Tonebone dealer for help if you are not sure. Most Tonebone dealers have qualified technicians that can help you configure your system for optimum performance.
Using the Slingshot™ remote:
Control panel for Slingshot remote

The real fun with the Cabbone comes when introducing Slingshot remote switching to your system. The Radial Slingshot circuit that lets you assign the Cabbone as a slave to receive a toggle change command from a footswitch or even a MIDI controller. To use the Cabbone as a slave, you must begin by positioning the INTERNAL / EXTERNAL remote switch selector in EXTERNAL mode. This disengages the Cabbone’s footswitch and allows an outside footswitch to control the Cabbone’s electronics and relays.


Cabbone’s Slingshot can also send out a program change command, for example to tell your amp to change channels, at the same time as a Cabbone speaker cabinet change. To make Slingshot as universal as possible, it's REMOTE OUTPUT ASSIGN switch features a choice of latching (LATCH) or momentary pulse (PULSE) switching type and positive or negative (TIP or RING) switch polarity for ¼” TRS setups. These settings will allow you to adapt Slingshot to most popular amplifier channel switching systems. Simply connect a standard ¼” guitar cable from the Cabbone’s Slingshot output to your amp’s ¼” footswitch input jack. If you don't know your amp's switching parameters, you can just go through each of the four possible switch settings while depressing the footswitch and note when the amp channels change.




Slingshot™ Remote System

The Radial Slingshot was developed as a means to remotely control devices from pedal boards without having to resort to using complex MIDI routers. The Slingshot combines the basic functionality of a footswitch while introducing the concept of daisy-chaining several devices so that multiple events can occur at one time. Because of the universal nature of the Slingshot, the system can also be made to work with various MIDI controllers and custom pedal board systems.


For maximum versatility, connecting the Cabbone with a pedalboard controller like the Radial Loopbone, tremendous options begin to open up. To get a sense of the possibilities, click to view the Slingshot™ product sheet.

Note: Some amps employ TRS or 'Tip-Ring-Sleeve' type connectors or other proprietary switching systems to change channels and/or to perform a secondary function like turning the reverb on or off – please consult a qualified technician for assistance should you have to make an adaptor to access the channel change function.

Understanding speaker loads:
This section is designed to provide the user with an overview on how amplifiers work with various speaker loads and options that can be considered when using the Radial Cabbone with your equipment. As every piece of ger is different, we suggest that you consult your equipment manufacturer’s operating instructions before using the Cabbone. This will ensure that your equipment will work properly and without undue stress.

Before we look at how each amp would be set up, we need to understand the options and trade-offs that you will be faced with when setting up your system.

Amplifiers and loads:
For an amplifier to work correctly, it must have a proper load. This means that the power being developed inside the amplifier must be dissipated in the form of sound or, failing this, heat. Too much heat can cause the power transformer to fail. By always having a load on the amplifier, one can avoid this problem.

Tube amps and transistor amps react differently to speaker loads. Both tube and transistor amplifier manufacturers will design their amps for ‘optimum’ performance based on typical impedances such 4, 8, or 16 Ohms. With transistor amps, lowering the speaker impedance or reducing the load will generally produce a louder output. For safety, transistor amp manufacturers will usually post a warning stating the minimum impedance on the back of the amp or in the operator’s manual. Make sure that you do not go below this impedance to avoid causing damage to your amp. Increasing the load will reduce the amp’s output level. Tube amps are generally set for optimum performance at a ‘specified impedance’. Lowering the impedance or reducing the load will make the tubes work harder which, according to some guitarists, makes the amp sound better. The downside will be a shorter tube life-span. Increasing the load will reduce the stress on the tubes, but also will generally make the amp sound thinner.

(*) Note: As we have no control over your setup with respect to the amps, cables, speakers or switches that you are using, it is your responsibility to consult the amplifier manufacturer’s technical specifications to ensure that you do not expose the amp to speaker loads that are incompatible. Please consult your Tonebone dealer or a qualified technician before using the Cabbone. 


Cabinet wiring and Ohm's law
:
Depending on the desired impedance, speaker cabinets with more than one speaker may be wired many ways. These include parallel, series or a combination of the two.

Ohm's law for parallel circuits is: (X = speaker impedance)

1 + 1 + 1 etc… = 1/total impedance X X X

When wiring a cabinet in parallel, the (+) terminal from the amp is connected to the (+) on the speakers in the box and (-) terminal on the amp connects to (-) terminals on the speakers. In parallel systems, each speaker is connected directly to the amplifier. Ohm's law of resistance in parallel networks is simple and works like this: Example: Let’s say we have a speaker cabinet with two 8-Ohm speakers. 1/8 + 1/8 = 2/8 or 1/4 and the reciprocal value is 4-Ohms when wired in parallel for a 4-Ohm load.

Ohms law for series circuits is: (x = speaker impedance)

X + X + X etc… = Total impedance

When wiring a cabinet in series, the (+) terminal from the amplifier is connected to the 1st speaker, then the (-) from the 1st speaker is connected to the (+) terminal on the 2nd speaker. The (-) terminal on the second speaker is then connected back to the amp’s (-) terminal. In series wiring, the signal works like a train whereby it must go through each speaker, one after the other before the signal path returns to the amplifier. In ‘series wired’ circuits the impedance of each speaker is simply added up for the total impedance.

Example: Using the same speaker cabinet with two 12” speakers. The speakers have an impedance of 8-Ohms. 8+8=16 resulting in a 16-Ohm load.

If we were to apply similar math to a 4x12 cabinet, with each speaker rated at 8-Ohms, we could configure the cabinet to have many different values depending on how we wire the speakers:

Parallel: 1/(1/8+1/8+1/8+1/8) = 1/(4/8) or 2-Ohms
Series: 8+8+8+8 = 32-Ohms
Series parallel 1/(1/8+1/8) + 1/(1/8+1/8) = 16-Ohms

A typical 4x12 system employs four 8-Ohm speakers in a series-parallel combination

Using matched versus unmatched loads:
Obviously, using a matched load will give you the best overall system performance. To make this easy, some amplifiers are equipped with multiple taps on the output transformers to allow you to select the correct load for proper matching. Cabbone has two speaker inputs for these types of amplifiers to allow you to match the correct load for each cabinet.

Sometimes achieving a perfect matched load is impossible due to the amplifier and speakers at hand. If you only have one amp output on your amp, and only one impedance selector, you will have to make a compromise. These means making decisions based on best sound versus more wear and tear. Here’s how it works – if the output of your amp is rated for 8-ohms and you put a 16-Ohm load on it, the output will not be as loud and this will reduce the amps drive. This means that with a tube amplifier, the tubes will not be driven as hard and will last longer. The trade off is that your amp may sound a bit thinner.

If on the other hand your amp is set for 8-Ohms and you use a 4-Ohm speaker, your amp will work harder and be punchier. Of course, this reduces the life of the tube, which is a trade-off. Solid-state amps follow pretty much the same rules except that they play louder when the load is reduced. You do have to be cautious that you do not expose the head to a lower than recommended load as this could damage the heads performance and void your amplifier’s manufacturer warranty. For best results, consult your dealer and he can help you wire your cabinets so that you get the best sound. To ‘play it safe’, we suggest setting your amplifier’s impedance to match the lowest speaker cabinet impedance in your system.